Isaiah 32 14-20

The fortress will be abandoned, the noisy city. deserted; citadel and watchtower will become a wasteland forever, the delight of donkeys, a pasture for flocks,

These words of Isaiah are concluding a section in which he promises, in God’s name, that things are going to change! He directly addresses complacency, warning that the very things we can delight in are the most liable to changing – but the rhythm of these chapters has a pattern of renewal, not destruction.  We all need renewal at stages in our life of faith, particularly when we have become too attached to the ‘pleasant fields and fruitful vines’ or have begun to trust in ‘citadel and watchtower’ instead of in the person of God.  Things can change in an instant!

till the Spirit is poured on us from on high, and the desert becomes like a fertile field and the fertile field seems like a forest.

Jesus’ ministry was the long pouring out of the Spirit of God.  Although he promised his disciples that the Helper would come ‘after’ him, he himself, ‘filled with God’s spirit’, had brought God near and their awakening faith – which is the gift only of God’s spirit – proved that they had begun to receive.  This also has the sense that times of renewal and over-turning will necessarily end in a pouring-out of God’s spirit upon us.

The Lord’s justice will dwell in the desert, his righteousness live in the fertile field.

Reading this today I saw the person of the Lord’s justice, Jesus, heading out into the desert to dwell there before his ministry and I heard a voice like is written so many times in the Gospel saying, ‘As it is written…’  I’m sure that as he went, consciously choosing to and unconsciously fulfilling all the prophecies made about him, Jesus would have had these words of Isaiah in his head. The desert is easy to recognise – where is the fertile field?  Well, Jesus loved to talk in the metaphors of a farmer.  He called himself a sower in a field.  Was he choosing to align his behaviour with an ancient prophecy?  That seems like inspired marketing to me.

The fruit of that righteousness will be peace; its effect will be quietness and confidence forever.

Every cycle of disruption and calming does have permanent effects in our character, in the same way that every storm that bends the branches of a tree leaves that tree stronger in places, barer in others.  I’m increasingly aware of ‘renewal’ cycles, which I think happen constantly at different scales in our lives.  At this time of year I love to attend the Renewal conference in South London, where I personally challenge myself to accept disruption of my habits of sung worship – and danced worship – to receive a lasting confidence and quietness.  I can attribute significant changes in my character and my way of life to going to Renewal like this in the last few years and I can’t wait to be there on January 30th.

Renewal-london-2016-jpeg

My people will live in peaceful dwelling places, in secure homes, in undisturbed places of rest.  Though hail flattens the forest and the city is levelled completely, how blessed will you be, sowing your seed by every stream and letting your cattle and donkeys range free.

God does not want us to bind ourselves up in the ‘security’ of wealth, you see.  We are less able to sow, less able to care for our responsibilities – whether animals, the natural world, communities or individuals.  He will disrupt us.  We can accept that and grow to depend on him more or be left like those barren ruins.  I don’t think this a threat from the prophet – he is simply explaining a truth about the process of change.  His inspiration, his insight, as a gift from God, should prompt us to obedience and a keenness to live in reality, but with an insider’s knowledge of what is to come.  Roll on the new year!

Isaiah 32 1-4

We have a role and responsibility in the Kingdom of Heaven.

Isaiah prophesied this in Ch 32: See, a king will reign in righteousness and rulers will rule with justice.

When Jesus comes, and come he has, he invites rulers to rule for him. Not to follow their own desires but to administer justice – fairness, obedience to God and concern for the needy.

Each one, says Isaiah, will be like a shelter from the wind and a refuge from the storm, like streams of water in the desert and the shadow of a great rock in a thirsty land.

We each cast a shadow, and Jesus gave us a promise about this in John 7: Let anyone who is thirsty come to me and drink! Whoever believes in me, as Scripture has said, rivers of living water will flow from within them.

Your faith in Jesus, friends, and your obedience to th Holy Spirit as you discover him within you, is God’s Plan for the Kingdom of heaven.  You might not feel influential, but let me tell you, this doesn’t depend on your skills or strength of character. The rock casts a shadow because of the brightness of the sun – the waters spring from the aquifers beneath the earth. He will make his power work in you and you will create safe places and shelters for people around you.

Pay attention today. Who prefers your company? Those in need? Then offer them the rest they seek by sharing your story.

All this was prophesied 2500 years ago. God gave Isaiah a picture for you. Jesus gave you the power to live in it through his name.

Terrorist Sympathies

I rather doubt he’s had the time to watch Amazon Prime’s The Man in the High Castle, but if David Cameron were to find an hour or ten to stream the digital flagship, he would have real cause to eat his words. Rather than simply needing to apologise for a little exaggerated rhetoric, he might find himself with sincere terrorist sympathies.

In fact, I don’t think he’d really need more than three or four hours. That’s how long it took for me to watch the transformation of an apolitical, apathetic pragmatist into a fanatic with an improvised weapon, a plan and the desire to assassinate a head of state. Frank Frink, a man with no previous indication of a violent nature, is working a skilled and secure job. However, abuse at the hands of the occupying forces, interrogations, imprisonment without charge and the murder of his family eat away at his principle of self-preservation until he decides that terror and violence are his only ways to react.

The series is fantastically conceived and executed with the highest production values. Individual actors do incredible work in making us sympathise and understand characters with deep, disgusting contradictions. But this is really one of the piece’s greatest successes – because of its timing. Terrorists aren’t born. They’re made. Or perhaps, they’re ruined from a man or woman who once lived for another reason until that reason was taken away. However despicable someone’s views or actions might be, what right have I to rob them of sympathy?  Feeling for them never has to mean agreeing with what they’ve done – I come up against this daily, constantly.

As a primary school teacher I daily engage in conflict resolution. This is at another level to the High Castle and to Isis – or ‘Daesh’ as the Prime Minister would rather we now refer to them. To change his term at this late stage smacks of cynical marketing. I’m very sure that he’d rather not be associated with a war on a religious group. But back to my playground. When Tom has plainly hit Murad on the face in a jealous fit, he may need to cool down. The school policy may require sanction or punishment. But for Tom to be able to participate back in the class, he needs sympathy. He needs someone to listen to his as well, however childish, inaccurate or self-serving his version of events is, he must be heard.

Perhaps too many of us never learnt this lesson at school. Thankfully we have art and drama and stories to refresh our thinking, challenge us. In the High Castle, Frank Frink does not carry out his plan to murder – although he associates with terrorists and ‘freedom fighters’. It isn’t fear of reprisals that stops him – he is a man who has ‘lost everything’. It’s the look in the face of a child.

The story has been rather actioned-up as it has been adapted from Philip K Dick’s original. Just as the lead actresses’ hairstyles reflect the current re-imagining of forties/fifties glamour with our own time’s sense of taste, so the role of the ‘resistance’, almost absent in the book, has been given a greater role. You can hear the show’s cast and creators talk about their need to sell the story to a modern American public – who might otherwise be rather challenged to watch a story in which they are so thoroughly colonised and controlled. I read that several advertisements have been pulled for their ‘provocative’ Nazi imagery already – although it was actually one of these large re-imaginings of the Statue of Liberty underground on the Victoria line that alerted me to the adaption in the first place.

I like allohistory – counterfactual history. I think that science fiction has a scientific method inside it – the testing of a hypothesis. To say, ‘What if…’ and to follow through is a creative and an enlightening way to write. The ‘What if the Nazis won the war’ hypothesis is so widely explored that it has become a cliche in its own right, as well as the basis for several excellent novels.
But doing this demands the writer create sympathy. Sympathy with terrorists, spies, liars, deceivers and, wait for it, Nazis. Up to and including the big H himself.

The journey of hope and idealism into pragmatism that we follow in the High Castle leaves the audience in truly strange place. By the end of the final episode, we’ve been tricked into following one of the few likeable characters, Wegener, into another assassination attempt. Hitler stands there in front of him, a pistol is in his hand, and if he shoots… If he shoots, he will become responsible for a nuclear war as Hitler is replaced by the warmongering Heydrich. Both Empires dominating the world, the Japanese and the Nazi, are founded on abuses, genocide, slavery and murder. But war between them cannot be the answer. That way, the strange newsreels warn, is devastation.

What of justice, then? The series touches on the holocaust, whispers worse and more recent atrocities – the ‘enslavement of Africa’. Shouldn’t Hitler die for these?

Until something better is on the ground and until someone who will not push the button on Japan, the Fuhrer lives. So justice must be delayed… Or given over to someone more qualified to judge.
Now I realise that the High Castle is a fiction, both as a novel and as a Amazon Prime series. But in it’s half-real setting it engages much more directly with the state of affairs in Syria and in my playground far better than most of the hyperbole around terrorism.

That doesn’t mean I entirely agree with it. I have a personal conviction that there is a better option, that we don’t have to settle for the best of bad leaders. I follow Jesus – and I know how well that resolves personally, although I am ready to say that I don’t yet now how that resolves politically or nationally or internationally. I get called an idealist quite frequently. My schemes only ever work if everyone joins in – the same in the classroom, actually.

But he had terrorist sympathies. He had terrorist friends. And it didn’t make him a terrorist. I wonder how he trod that line – informing on Simon the Zealot? I don’t believe he took the initiative to go to the occupying Romans and offer them the addresses of all the freedom fighters he knew.  But scripture does tell the story of his personal sympathy for everyone he met, occupier, opponent, beggar and lord.  And that was his answer for the politics of the world too – to meet everybody, one by one, and change their minds through sympathy.

Sorry about all the spoilers.

Verses 121-128

I have done what is righteous and just;

do not leave me to my oppressors.

How can I, a man, claim to have acted righteously?  By God’s indwelling: he cannot leave me because he binds himself by his promise, like a husband to a wife, and we have a thousand proofs of his faithfulness.  I am now founded on him and his character.  So I can ask God not to leave me to my once-while, erstwhile oppressors – the temptations and habits of an unrighteous past.

Ensure your servant’s well-being;

let not the arrogant oppress me.

Well-being relates to our identity as servants of a good master.  It may not be a very English thing to pray, but God wills our well-being – that we should say ‘It is well, it is well with my soul’.  We are free of the oppression of the arrogance because the arrogant admit no higher authority – and they cannot assume authority over us as we now live in a much more direct, essential chain of command.

My eyes fail, looking for your salvation,

looking for your righteous promise.

It’s a full-time job.  I see your kingdom on Earth, Lord, your salvation for the people, until day fails and night falls.  Hence Simeon’s release when he could say ‘My eyes have seen your salvation’.

Deal with your servant according to your love

and teach me your decrees.

This may be a prayer but really it is only an echo of God’s promise: that he WILL deal with us in love, not wrath, and that he intends to teach us his way, his style and his intentions, that we would be made holy in him.  ‘May God himself, the God of peace, sanctify you through and through.  May your whole spirit, soul and body be kept blameless at the coming of our Lord Jesus Christ.’  1 Thessalonians 5:23.  To do all the things of this Psalm we must embrace first the Father’s – the Master’s – love for us and let him change us. Then what a relief to be taught, not a struggle or a duty, since we know we are loved!  Much of the struggle in learning comes from not realising that the one teaching us cares for us – parent, teacher or God.

I am your servant; give me discernment

that I may understand your statutes.

The servant should resemble the master: God is wise and he wants us to be wise.  ‘No longer do I call you servants,’ John 15:15, because God by his spirit has given us the keys to his wealth, including this discernment or understanding.  We no longer have to obey in ignorance but can be changed to understand the principles of God with our heart.  I’ve read about ‘the role of a servant but the position of a son’, which seems like the fine sort of legal distinction Jesus laughed at, but maybe that’s how to reconcile these scriptures for now.

It is time for you to act, O Lord;

your law is being broken.

A bold plea – from the servant to the master – asking him to intervene wherever his law is broken – primarily within myself.  Whenever I note that God’s law of love is broken, in myself or otherwise, my first response should not be to fix it myself by to cry to the master ‘It is time for you to act’.  And that cry can be made with confidence because of the proof that he does and will act to save.

Because I love your commands more than gold,

more than pure gold,

This is what it means to be secure against sin and unrighteousness – to cultivate a deep love – a passion – for God’s word.  A desire so strong that the desire for gold looks like a passing fancy.

and because I consider all your precepts right,

I hate every wrong path.

Preference for one path, this path, however difficult, is based on considering God’s instruction preferable to every other possible choice.  Everything God has done has brought about life and freedom and all the good we see, so any path diverting me from considering or following this way is an evil distraction.

The Baby on the Bypass

There’s only one story to tell at this time of year. It’s the old, old story of a young couple on the road in a beat-up contractor’s van, driving to the place his family used to come from. They’re three months married and nine months pregnant and her folks don’t want to know. The van, one headlight dim, pulls over at service station where the A-road meets the bypass, but it’s well past midnight and the carpark of the Holiday Inn is rammed.
They park up on a loading bay and Joe goes in to see what comforts the last twenty in his wallet might get them. The tank is almost empty and they won’t be going any further tonight.
It’s the cold of a premature winter and the cold of another uncaring receptionist. Maybe it’s their rough appearance, maybe it’s Joe’s obvious poverty, but the woman behind the desk is not going to let them into the lounge, or the restaurant, or the lobby.
It’s while he’s in there, arguing behind the plate glass, that Moira realises the baby’s coming. What she first thought were shivers of cold have gripped her – and then a cramping pain around her that makes her gasp and water comes straight to her eyes. “Joe,” she calls, willing him to turn around and see her through the windscreen and come running back across the paving. But she knows he can’t see her. “Joe, the baby’s here… Joe…” she wails.
When he comes back she is gripping the seatbelt and making moans through clenched teeth. He realises straight away.
“Is she alright, mate?” There’s a man in overalls coming out of one of the units beside the Holiday Inn. A garage.
“She’s having a baby.”
“Bleeding ‘eck. Best get her inside.”
“They say there’s no room in there.” Joe’s panicking. He’s been the strong man for the last six months – but really he’s been dreading that it would end like this. He just needs someone to give him a helping hand.
“You’re right there’s no room. Seems like everyone’s on the road. I should have been home hours ago. She can come in here. I’ve got a waiting room – a little bed I use sometimes. Come on.”
They help Moira out of the van. She doesn’t acknowledge them at all, hobbles, supported by her husband and this stranger, looking at nothing, as they lay her down on the campbed the garageman has. He flicks the kettle on. “I knew there was a reason I stayed tonight,” he says to Joe. “Don’t worry – she’s going to be alright. You jus’ keep holding that hand. I’ll ring for an ambulance.”
But the phone doesn’t connect to start with and when he gets through, they don’t seem to care that a woman is having a baby. “Where’s she from?” asks a voice down the cold phone line. “What’s her trust?”
“I don’t know, do I?” says the garage man. A yell interrupts him. “I didn’t hear,” he says. “Look, send someone quick. She’s a first-timer and there’s no-one here but me and her partner.”
Joe is trying to do what he can. He can see the head of his son, red and striped with dark hair like a bald man’s across his pate, between Moira’s spread legs. There’d been a baby in the family just a few month’s before – Moira’s cousin – but who though to tell him what to do. He just hangs on to his wife’s hand while she shouts and heaves.
So it’s there. In the unheated waiting corner of the garage beside the compressed air tank and with the benison of a Vauxhall up on the lift that their son is born, and when he’s out – it’s mercifully brief bus desperate – the garageman offers a pair of metal-cutting shears to cut the cord and they wipe the little living thing down with paper towels and Moira, in her torn and soaked skirt, clutches him to her exhausted breast and cries with joy and relief.
The garage man doesn’t know what to do. It’s past three in the morning now and he and Joe have been wiping, bracing, holding the young woman as best as they could. He rings his wife, eventually wakes her up, gets her to say she’ll come to help, since a stranger has given birth in his garage.
She falls asleep for a moment, still holding the boy to her. Joe has fetched their blankets from the van, he bag with some clothes, and sits there, in the seats, looking at his wife, in awe of her, of the boy that has sprung out of nowhere and into life… He looks around with eyes drinking in the reality of the world and the garage man makes them both a cup of strong tea with UHT milk.
It’s not long after that they hear the rumble of engines and the shudder and hiss of lorry brakes. Disregard them, initially, but then a face looks around the side of the still open roll-shutters. It’s a guy with a badge that identifies him as a delivery driver, then another man, two more, five or six all trying to get in.
“What do you lot want?” asks the garage man.
The first one in seems to be their chosen leader. “Err,” he hesitates. “Have you had a baby?”
“How did you know that?” asks Joe. “What’s going on?”
“Long story mate,” replies the driver. “Where is he? Where is he?”
Joe doesn’t ask how this stranger knows that the baby is a boy. He doesn’t want to ask anything. Everything seems to be changing in front of his eyes, like he is watching his own life on film. “Over here,” he replies. He leads them to where his wife is now sitting on the campbed, leaning against the wall wrapped in the old van blanket with its oil stains and holes. The baby is in the crook of her arm – a tiny morsel of humanity – not even fully awake. “Moira”, says Joe. “They’ve come to see the baby… They knew. They knew about him. I told you this was meant to be.” He goes to sit with her, puts his arm around his family. “Everything is going to be just like it was promised. I’m sorry I was too slow…”
She shakes her head. “Doesn’t matter, Joe. He’s here now.”
The drivers are standing around in something like a semi-circle, watching, listening. Then, abruptly, one of them kneels down. And the others, drawn by something deep inside, follow.
“Your son,” says one, “Is going to be special. He is special, I mean. Look – I know it’s a funny thing to say. And everyone gets told their baby is going to be someone special. I mean, I’ve got two of my own – I know a bit how you feel, mate,” and he nods at Joe. “But I mean something else. Your baby is the… chosen one.” He looked around at the others for encouragement, dseperate to wring some meaning out of a cliche.
“We got told,” says another. “We got told that we would find a baby in a garage, wrapped in paper towels.”
“Who told you?” asks Moira.
“Angels,” says the first one, shaking his head. “Angels. I was driving, we were all driving…”
“I was pulled over in the layby up Ruggleford corner…” interrupts another.
“Yeah alright – we all saw them, didn’t we.” Nods.
“That’s right.”
“Angels. Had to be.”
“I thought it was some patrol at first,” said the one who’d been parked up. “Came up, tapped on the window, I rolled it down, then I looked at him… Like, shining. Like he had a light on the inside of his face. And he said…”
“Don’t worry,” interrupted another.
“Yeah – that’s what he said to me too.”
“Don’t worry – I’ve got something to tell you – it’s going to change the world…”
“Told us there’d be a garage – told us exactly where – and when we went inside we’d find this baby, wrapped in paper towels, with his mum and dad, and he’d be…”
At last one of them said it. “The saviour of the world.”
By now the garage man’s wife has arrived. She’s a woman with her own children, grandchildren, sees Moira like a friend of her own daughter, just a teenager, taken unawares, sees herself in her, takes her under her wing. The drivers stay, get out some food, even something to drink, continue to tell each other the story, the music they heard, wonder about this baby – this air-gulping, barely alive frail-fisted little child. Is he going to grow up to do something? To change the world like those angels said? Who are his parents, anyway? Why are they here? Joseph tries his best to be in charge, but the garage man sits him down, gives him a drink of something strong from a paper cup, and when he wakes up the lorry drivers have gone and someone has filled the van’s tank with petrol.

Long Live the Poetry of Geology!

wpid-img_20151114_114949.jpgYesterday’s review is now live on the London Grip.

Two poets I’ve discovered from the anthology:

Jonathan Davidson, whose ‘William Smith’s Poem’ was one of my favourites;

Maura Dooley, whose ‘Treasure Island’ begins the collection with a nostalgia-tweaking love-of-my-land reflection on the purposes of poetry and geology – and why not all human pursuits?  Aren’t all our disciplines another ‘translation of Truth’s imagination’?

Reviewing in Progress

wpid-img_20151114_114949.jpgThis morning I’ve been enjoying re-reading and reviewing Map: Poems After William Smith’s Geological Map of 1815, edited by Michael McKimm.

I review for the London Grip, edited by my friend Mike Bartholemew-Biggs.  I previously wrote about McKimm’s Fossil Sunshine and enjoyed that very much – but in the upcoming review I discuss how McKimm has shared his discovery of the geology’s rich seam of latent metaphor with other poets, and their diverse responses.

A Life Purpose

image

The words of John Milton, Book XII of Paradise Lost, written in the 1660s-70s and still the best answer I can find to Rick Warren’s challenge to formulate a life purpose statement.

When I read or recite this, I feel intensely glad to be who I am, in this age and in this place, yet so appreciative of my forebears. I know that the things I love best about being English are Gospel things – ‘by small | Accomplishing great things’ – and that a life lived ‘as in His presence’ is a life of significance and purpose whether joyful, sad, achieving or resting.

And I know this because I have His example – the same Redeemer a blind Puritan Poet four hundred years my senior knew.

Turn Around – Your Educational Paradigm is Dead

Our educational paradigm is now dead. So much we already know. Testing, benchmarking, comparison, standards, planning, schemes… All of these are the desperate attempt to control the uncontrollable, to cast a net over the diversity of the modern experience of Internet – enabled, poly lingual, unpredictable children.

We don’t know the destination.  We used to be able to pretend we did. We romanticise a time when we did.  The rhetorics of criticism or praise for the three tier grammar, modern and technical schools both try to say that teachers of the sixties knew where their children were going.  Where are those children now? Retired after five jobs, entrepreneurs with three businesses sold, two failed. They are in a hundred thousand different places, all of them unimagined by even the most visionary teacher.

That much will never change. Accelerando was always the norm.

But we’ve been looking in the wrong direction for too long. Some look to the East, where the totalitarian regime of a mega – industrialised empire plan to have every citizen fulfil a role – and those who cannot fit are dispensable.  Some look to the past, when they are privileged enough to write their own descriptions of their present, defining their own salaries, legality, and shoring up their own privilege.

But we need to look down at our feet, coolly, calmly, emotionally, thoughtfully.  We live in a world of economic instability, massive migration, changing definition.

A decade ago, curricula were fashionable if they were based on principles. Communication, integrity, and so on. Abstract. The problem with these is that they can be hijacked and redifined by any passing inspector or newly hired headteacher.

But try redefining this: I teach in Islington. This is a place with more than a thousand years of human history. That won’t change. I teach children who speak eighteen languages. That won’t change -not backwards. There is an awful arrogance in insisting that children should learn a modern language – usually a European one – when there have never been more poly lingual children in our schools.  We need to really appreciate the potential, the possibility, the starting place.

And once we take that long, cool, calm, compassionate look at the place where we are, we need to lift our eyes to the horizon and look at potential. We need to use our imagination and our personal experience and our professional expertise and dream new paths. But these aren’t the paths we will ever walk. We don’t, fundamentally, know where they lead. We don’t know how our children will earn their living. We don’t know how they will spend their time. We don’t have that right of control.

But we can choose our own.

Every teacher, assistant, manager and inspector needs to start an exercise of adult realism. Who am I? What do I have to give? To contribute? What can I imagine? How can I start something?

Because we won’t be there when our children reach the end.

Die Ner – Rafe Castleman Reviews

I didn’t fancy eating anywhere by myself that evening. There was a crowd I sometimes spent time with, a sort of fried-egg shaped friendship group, a bit crinkly at the edge, some genuinely pleasant people in the yolk and a lot of rather shallow and flavourless trend-followers around them. But it would be more pleasant than eating by myself. Before I decided where we should meet, I had to choose my target.
Thinking about Max’s warning, I aimed without a particular play in mind. A single spontaneous review was unlikely to do a lot of damage – or boost a first-tier noticeably. But I’d heard interesting things about a place called Die Ner in Covent Garden. It was a Sahi affilliation, so I tucked the Double-Diamond away and fished out a dormant contract I played with in the name of Lucretius Segnit. He had built up a considerable celebration allowance in the last year, so I fiddled his birthday and booked a table for ten.
Antony was in the bar when I got there, drinking Northumbrian lager. We chatted about shallow social things while I cracked the shop lay and started reading the place from the inside out. Our table had been ready for twenty minutes, but the staff wanted to keep us at the bar. I didn’t mind. It wasn’t my allowance I was drinking.
Antony’s friends arrived, together with a half-Samoan skinner called Timeo and a pair of sisters I had met before. We headed to our table in the dark rear of the restaurant.
This wasn’t a gimmick eatery like Eis had been. You could actually eat ten times a week here on a Sahi grade eleven, if you knew the exchanges, but I don’t think you’d want to. They had settled their menu a good long time ago and it wasn’t going to change any time soon. To access it here all you had to do was make your personal query gesture and it slid into view on the back of your sub-dominant hand. I watched Meera and Aruna scrolling through it with their elegant, lozenge-shaped fingertips.
“What do you fancy, ladies?” I asked. “Do you want a recommendation?”
Meera cocked her head. “Have you eaten here before?” she asked, coquettish and a little rushed. She’d had a strong drink before arriving, then.
I replied with a single nod. My eyes began reading her and running a tickertape of physical stats through her rather restrained aura. Height 1654, weight 5423 + 158, plenty more. I pinched it out with a hidden fingertip gesture.
“Perhaps you might enjoy the lobster quinoa salad,” I said. “Quite refreshing. Very reminiscent of a splash of seawater over the gunwale of a speeding catamaran.” It was in my interest for as much variety as possible to arrive on the table, of course. I watched Meera scroll back up and then flare her nostrils – almost certainly to find reviews on the social bands.
Her sister was seated beside me and hadn’t looked up. “I don’t know where to start,” she said. “There’s so much more choice than I’m used to.”
I leant into her personal space. “Then cross out anything you’d have normally. Live a little, Aruna!”
She looked up directly into my eyes. Something flashed there. “Well, there’s this fricasee of porq with araquee blossom and wild rice…?”
“Why not?” I replied.
“Oh, urgh, it’s tankmeat,” she said suddenly. “How tacky.”
“Try it,” I urged. “You might be pleasantly surprised.”
She looked unconvinced.
“Try it! If you don’t like it, have mine. I’m having the turbot in whitest sauce.” The top of the menu. “You can try both, if you like.”
She didn’t know how to take that. The invitation to actually eat off my plate… perhaps it slightly revolted her, as it would so many. Yet at the same time there was that transgressive playfulness. She was a couple of years younger than me and much more used to conventional eating habits. I was sure that she had never needed to scavenge behind eatery waste-chutes to quieten a churning stomach.
“Why not, then?” She gave a flick of her rather spectacular hair. “Four-score years and ten is my lot, after all.”

The food came. It was good, unspectacular, the service unobtrusive and convenient, the wine I had chosen was drinkable and not extravagant. But the dessert posed a problem. As the waiting staff brought out the new dishes, something caught the edge of my attention. A scent. I had ordered a dish of pickled pears – something I had never eaten before – and it came, quite beautifully presented on a heavy cut-glass plate, garnished with tiny sprigs of mint in flower. But there was a taint in the flavour, even before I put it in my mouth.
I had stopped chattering and bent over the food to really smell it. Filling my lungs and dialling my nasal diagnosts to maximum sensitivity, I tried to identify it. Was there a hint of raw meat in this? A contaminated board, an unclean knife, a stained wipe… Perhaps even the hands of the waiting staff… And not any meat. Uncooked… Liverish… Whale meat?
The others had noticed my change in attention and were watching me. I ignored them. Lifted a spoon of pickled pears to my lips and savoured.
Beaver. Definitely beaver. I knew it. I had eaten beaver three times. Once in Canada at a rural festival, once in Deptford in a swanky sea-themed hole and once in Milan. I had eaten the tail, the flank, the brains and the loin. If that had not been sufficient for me to gain an exact flavour profile, then nothing could. I had eaten it more times than I had eaten many tankmeats.
I was going to enjoy this.
“What’s wrong, Rafe?” asked Timeo with a rumble. “Is something wrong?”
“Yes,” I replied. “I don’t generally expect to find stray flavours in my food – least of all in a finely balanced dessert like this.”
I raised a hand in the old-fashioned way. And clicked for service.
Our tableman had been fine – so far. How would he handle this?
“Your preparation area is contaminated,” I told him. “And it is very likely that you could cause a serious reaction in someone unfortunate enough to be susceptible.”
“I’m very sorry sir. You would like something else?”
“No. Not at all. I would like to talk to your head chef. You can tell him that Rafael Castleman of the Open Menu has some advice for him.”
The tables nearby had also fallen silent now. Silence rippled out like a stone disturbs still water.
Only a few moments later – to the house’s credit – the chef arrived. He was a tall, lanky man by the name of Giroflet. I’d never come across him before.
“What seems to be the problem, sir? I understand you do not enjoy the dessert?”
I gave him a toothy grin. “No, that’s not right. I’m quite enjoying myself. And I would have enjoyed this very-well executed little dessert if there hadn’t been an awful taint.”
He looked at me quizzically, whipped a forked spoon from his breast pocket and tried the dish. “What do you taste, Mr Castleman?”
“Beaver,” I replied.
He looked at his waiter. “The gentleman tastes beaver.”
“I do,” I replied. “Distinctly.”
“It is impossible,” he replied. “I taste nothing.”
“But I taste everything,” I said, pushing back my chair. “Have you ever eaten beaver, chef?”
He disregarded my challenge. “I can taste nothing of the sort,” he said calmly. “There is no beaver in the kitchen and there has never has been and there never will be such a ridiculous ingredient while I am chef.”
“You have a contaminated preparation area, chef,” I said, “And I will be writing exactly that unless…”
“Unless nothing,” he snapped. “Unless nothing. I expected nothing less from you, Mr Castleman. Or rather, Mr Segnit. Threats. Attempts to bully and bluster and bluff your way on an empty hand. I do not even desire to know what it is you want from me. I know your ways. I know your slant, sir, your thumbscrew words and reviews. But here nothing will work. In my kitchen I have the most up-to-date volatile chamber available commercially. And if you so desire, we can take your dish of pears and combust it right now. And exactly what flavours are present, perhaps we can let everyone see.”
I had to smile. The man was going to give me exactly what he wanted. The irony was that however up-to-date his volatile chamber, it could not compete with the three Rettier diagnosts implanted in my opthalmic bulb, each running their own identification protocols on every bite that I ate, every scent that I smelt, every savour that drifted past my nose. And I hadn’t even had to ask them about this – plain, simple old unaugmented memory had done it.
“Ideal,” I said. “I see no purpose in wasting any time.”

The kitchen had been in full swing, the very middle of service, but when the chef and I entered the brigade were standing back from their positions. Giroflet marched to a glass-fronted cabinet built into the wall and remotely slid a door aside with a gesture. “You will not be familiar with such equipment, Mr Castleman,” he said with a sneer. “Typically more useful for creating than criticising, but in this instance, perhaps demonstrative.” He nodded me the readout it stood, void and green in my upper left eye, while I waited with crossed arms for him to press the button.
He did so, and in a flash of intense heat and low pressure the food sublimed straight off the dish, its molecules unaltered. Every volatile was charted, right down to the single molecule.
Not a single shadow of beaver anywhere.
I immediately replayed my own readings. The two Rettier 409s in tandem had tasted, said their memories, nothing but perfectly ripe Wilson pear, cider vinegar pickle, anethole, menthole… Nothing indicative of raw meat.
The 309 said the same – after a rapid reboot.
So how had I tasted raw beaver?
The chef was looking at me. “It grieves me that you no longer have a dish of pears to enjoy,” he said. “But if you came with another intention – not the intention to enjoy the food set before you – who am I to cross your path? Please leave this kitchen. And my restaurant. And do not try to bluff with me again.”
A security man in his uniform black had appeared from somewhere, but I had no intention of staying. Return to the table and admit I had been wrong? Return to that silent room where I had faced the chef with such conviction? When my own nose had lied to me? What was this.
“Your machine says there was no beaver in this, but if I tasted beaver then I tasted beaver.”
“I think you are over-taxing your imagination, Mr Castleman. A hysterical experience, perhaps. And if a single subjective opinion should react in such a way… Well, I dismiss it!”
A heavy hand grasped at my sleeve, but I shook it off. “Get off!” I shoved a pastry chef out of the way and headed towards the service entrance.
“You’ll think hard before publishing a review based entirely upon your imagination, I’m sure,” said the chef. “Although perhaps rather more of what you have written was made up than you ever realised.”
His tone was so disgustingly smug that I wanted to spit. I wanted to throw something with clang or slam a door. I was searching for the last phrase to end it all.
I had nothing left to say.