Something I’ve always wanted to do is to explicitly celebrate the pubs of Steam Highwayman. Every one featured in the series is based on – and usually, named directly after – a real, visitable pub in our very own timeline. And now that the Kickstarter for Steam Highwayman III: The Reeking Metropolis has raised an incredible £10,000 in pledges, I’ll be producing a trio of special maps and a printed guide to the regions, which will feature reviews of every single pub.
The page above is my first attempt at a mockup, and it has its own story to tell. The image is my own pen and ink, but heavily inspired by a certain poster I once saw in an Oxford bookshop…
When I was still in the process of writing Steam Highwayman I: Smog and Ambuscade, before had any experience of publishing or working with an illustrator, I was looking for someone to draw my world and the pictures for my gamebook. I knew a few illustrators and I had received some help refining exactly what I was looking for and writing a brief, but I had no strong leads. The people I knew weren’t about to jump into a new project, or to draw what I was looking for: monochrome, classic, pen and ink, with an exciting sense of movement and a realistic take on steampunk. Where to find such an illustrator.
One evening as I was praying on the balcony of our flat, I distinctly heard the word ‘Oxford’ in my mind’s ear. It popped into my head accompanied by a sudden sense of peace and a release from the worry I’d been accumulating about how I would ever find myself a collaborator. So the very next day, I drove to Oxford.
I didn’t have a particular plan or destination, but reached Oxford around lunchtime. I walked around for a short time and entered Blackwell’s art shop. There, just inside the door, was a fine poster of the pubs of Oxford, drawn in pen and ink, in a fine, confident style.
It took me a little while to work out what I should do, but I eventually plucked up the courage to speak to the person behind the desk and to ask if the illustrator of the poster was local, and if they knew how I could contact them.
“This poster?” asked the young man behind the counter.
“Yes,” I replied.
“I’m the artist,” he said.
And that’s how I met Ben May, who designed the Ferguson velosteam and illustrated the first two volumes of my adventure: the power of prayer and a good pub drawing.