Tag: iambics

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Cufflink Villanelle

Now I can wear her gift upon my wrists,

The reassembled clock-pieces to link

Our lives, half out-of-time with what persists.

 

These first pair, shared and bought, began the lists

Of contracts of giving, presents for ink,

Now I can wear her gift upon my wrists.

 

The next two are stiff, worn in Cambridge mists,

And I lost one of our favourites – flat stones sink

Our lives, half out-of-time with what persists.

 

I hung rings in her hair – this sight persists

When I wish memory’s eye would wink.

No eye can wear her gift upon my wrists…

 

They only hold together with sharp twists,

Straining but secure, I thought, but now think

Our lives half out-of-time with what persists.

 

But hands that held are impotent, blank fists,

And the last dregs of gladness, those I drink

Now.  Can I wear her gift upon my wrists,

Our lives half out-of-time with what persists?

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The Garden, Gone and Remaining

It’s dangerous, returning where

You left your living herbs to root.

A trip to re-taste friendship’s fruit

Was bittered by a chilly air.

 

The trees that stood between brick walls

That hid along the alleyway,

Perpendicular and grey

Behind the street thick with footfalls –

 

Those trees that softened up waste ground,

Beloved by none who owned them, no,

Beloved by one who knew them so,

Can no longer there be found.

 

Eight sycamores, wind-strewn and wild,

A faded, fallen apple, broke

Beneath the ivy’s unfair yoke,

And hazel and its hopeful child,

 

The ashes, birches, and tangled low

Odd-limbed gooseberries, all leaf

Their chance to fruit far too brief,

My chance to help them years ago.

 

If anybody knew or cared,

I did – who slept beneath the branch

And dreamt that plot my mind’s wide ranch

And ate the berries birds had shared.

 

Returning down that concrete path

Something airy worried me –

Then bare sky lay, no branch, no tree,

And sorrow mingled up with wrath.

 

For all these deeds and rights to build

What value has the love of soil?

For profit pulled from a rebar broil

Who counts the trees the clearers killed?

 

Small pain, oh yes, for all fall, trees.

What sentimental rot – what pose!

But gloved hands felled and counted those,

That last were climbed and held by these.

 

I know the width of limbs, the give

And sway of outstretched arms that reach,

From letting slower creatures teach

And show me how to be and live.

 

God speaks in rocks and fruits and trees,

So shouldn’t I be sad and cry

That disregarded saplings die

That I regarded, gave me ease?

 

From bed – this bed – beneath this spread

I’d wake and see them greet the day

Or sleeping, hear the wind at play

To test them, twitch them, shoulders spread,

 

Roots wild-set but gripping close,

Joying, fighting with the gale,

Ducking rain and flicking hail,

And then in sun, remain, repose.

 

I left a lot there in that ground,

A sage-bush brought and cropped and strong,

The trunk split-twisted, leaves grey and long,

Potatoes not yet dug or found.

 

Nothing’s lost.  I hope – it must be.

I know that God permits no waste,

And where our minds dash on in haste

He plays a longer game than we.

 

How many times a root re-springs,

How many times a spring re-flows,

Oh, every time you prune a rose

You prove the loveliness of dead things.

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Silence

Unwounded by words, the body of quiet swells,

Absorbs my breathed-out thought and inwardly tells

Me to ‘Recall that past promise.’  Distance

From what I once said begets a silence.

 

Now I am stilled by the weight of rest,

My free spirit mentions matters unconfessed

And in clarity born of sore conscience,

See how sorrow always begets a silence.

 

But with no clamour, remedy speaks next,

That offered hand, to give me when perplexed

A release from the curse of self-reliance

And thankfulness too begets a silence.

 

Take me into this quiet, where heart touches heart

And my words and my working all fall apart

And I know the true truth of the Spirit’s alliance

And awe, rediscovered, begets a silence.

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Limehouse Poppies

Somewhere just West of Limehouse

An emptied yard has lain and slept

Among the brick and rubble

Are promises the poppies kept,

To bloom between the foundation slab,

To stretch between the mortar,

Beneath the girders of the bridge

Beside the dockstill water.

They flourish in obedience

To a hundred-year-old-seed,

They quench with a silk-soft moment

An ancient personal need.

If you rode on a train and saw no life,

No bloom of weed or rose,

Then how would you know you were living

And how would you do what you chose?

Unless the flowers chose to rise

From the rubble where a warehouse stood

We’d have no daily proof of how

Ruins turn good.

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Canning Town

How beautiful the river banks,

Each a slick and shining brown.

The tide now slackens out through town

Past railway sidings, standing tanks.

 

Here reeds are stained and standing thick,

The ducks and gulls squat on the mud

And later comes the brackish flood

But now the silt is dark and slick,

 

Here interrupted by a pile

Half-rotted, stained with grey and green,

There lies a tire, half-sunk, half-seen,

And so on down the winding mile.

 

All the way, from here to the sea,

The Thames retreats from its own bed,

Its mind is changed, intentions fled,

So changeful as the moon we flee.