Author’s Ideas Blog

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In the British Museum II

On the third wide floor of the museum

You can travel between treasures gathered

In centuries’ collection of the past –

A past of narrow stories intertwined –

That’s what the glass says, and the little signs

Ruled on white Perspex, all best guesses,

Estimations – archaeological –

Risky historical reputations.

But looking in the glass I can still see

Fingerprints in a stoneware pot, once hid,

Then found, no framed and famous, full of wealth.

The massed carnelian lozenges with birds

And simple beaten snake-head bracelets, rings,

The taciturn quartz, hard and sworn silent,

Collected silver profiles destined soon

To soften, stick, unpiece and glue, adhere,

The swallow in themselves the featured fair,

Becoming blank, upon which expression

Can be new-shaped a decorated face.

All interrupted by a sudden threat

That prompted careful choosing of this vase

And surely careful memory’s searchings

For a place in the crook of an ash tree

By a bed in a brook by the long field

Where a treasure can lie in secrecy.

To try to put a glass between ourselves –

Me and this distant woman or man –

Is no more possible than to part

Two melted coins, two rust-fused swords or rings,

And all the people making all these toys

Are like the massy links in one colossal

Tunic of chainmail, which the earth unites

By giving up its moisture, making rust

That freezes pliable metal and dust.

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Now Send Flesh

That coat of gentle, ginger suede,

Real warm, perhaps the sleeves too long,

No inside pockets, can’t belong

To this me, since such fabric’s frayed.

 

The leather’s bright as bought, except

A collar-line; the buttons tied,

All rethreaded, worn with pride;

I’ve thrown out others – this I’ve kept.

 

For weeks I’ve followed round my ghost

Counting when I wore that first,

When she gave that, bit lip, cursed,

To find her hand was still on most.

 

But this I purchased long ago

When I was first at leisure, rich,

And chose to rise to pleasure’s pitch

And wear the mirror’s happy glow.

 

I bought it yet before I knew

The name that now distends my fears.

I’m tied to something through the years

That has no will to say or do

 

Yet speaks, forgiving, soft and smooth,

The skin like skin I miss to touch.

Ask, ‘Do I miss her?’ ‘No, not much,

Except when breath my lungs would soothe.’

 

On every surface, every door,

Fingerprints and darkling hairs.

I find her when I walk upstairs,

She rests in blankets even more.

 

The pencil pot, the chopping board,

The tent, the grout for fixing tiles,

The dreams of treading sunny aisles,

And every single guitar chord.

 

I haven’t yet resolved this rage –

Am I to amputate my past

And lose the years I clung to, fast,

And blanken all my diary’s page?

 

Don’t give advice – don’t share your grief –

I know already that time heals,

That when a nerve is cut it feels

But later leaves its torture brief.

 

Can you imagine I want that?

A heart which soon will cease to care?

A place to hide?  Oh, how unfair

To know distraction or combat.

 

So either suffer every jab

And let no-body lift a share

Or betray, regret, then forswear

The once-bright future, paint it drab.

 

That jacket though is still as fresh,

And I still like it as I did,

And while I hated, cried and hid,

I petrified.  But now send flesh.

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Snow Convicts Me of Selfishness

The air plays fair with floating flakes

Today, not landing, touching, cold

And sure to make all memories old

As they’re immediate, as now wakes.

 

The moment of our living life

Which we have called the present, well,

Impermanent as snow that fell,

As dreams of future home or wife.

 

To touch is just to melt, to slip

Into the water of my tears

And reaching back through eight long years

I catch a stalagmatic drip.

 

Each thought or act, designed to build

A structure, gently, life’s smooth plan,

Is now dissolved.  What I began

The changing of the air has killed,

 

Wind from across the sea or land

From far-off cities, far-off fields

Each birthing wind, which in turn yields

The emptiness of empty hands.

 

But all of this is out of place –

To let the snow be first a sore

Is to ignore the beauty – more –

To see the mirror but ignore your face.

 

My hurt is not the only one,

I am no axis for the world.

Forget the anger that you hurled

And let the tears drip, then be gone.

 

Unsettled snow and bitter wind –

The metaphors of my unease.

The weathers, like the seasons, tease

And when I pitied me I sinned.

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Ash Wednesday

The ash still marks my forehead like a bruise,

So rare, this imposition of a state

Quite unlike everyday, preoccupied

By plans and hurried patchings of short time.

A foretaste of a heavenly banquet’s mine –

Indeed, for as I chewed the bread, sipped wine,

I had no other thoughts at all, just hope,

Pure gratitude and joy, joy still and cold

Like shining crystal in a dirty rock.

That is the flavour of the awaited feast –

The freedom from the guilt and daily fear

Of failing tomorrow’s contracted tasks,

Of wasting the chances to write and to keep…

I have no fear of death, he said, but, ah,

To fail!  A thing I have not known, and fear.

I’ve loved to hear Charles Gordon saying that

For all so many years, since still a boy

I saw that desert city burnt, attacked,

Feluccas swarm across the Nile, close-packed

With jibbah-clad jihadists, Gordon stand

Calm and clear of conscience, ready to die

To prove his point.  How dangerous a film!

But I cannot deny it feeds my heart

And so proves that ideas, when acted well,

And scored with mystic themes, pearl-satin skies,

The bittersweet melodies of wanting,

Yes, ideas can outlast the very stars,

For supernovas have exploded since

The pyramids, the Hadrian wall, some books,

Some towns, some very buildings, all of that!

And deserts have advanced across the plains

Since ancients wrote down recipes for thrush

In honey, piglet cooked in brine with herbs.

Much longer then will last self-sacrifice

When isolated in a parched, dry town.

The dust of all the desert, dust of sin,

Can’t choke the throat the spirit wants to loose

And when I sang in worship, welcoming

The news of Easter, still a long walk hence,

I sang despite the dust surrounding me.

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Valentine

The first of many days of Lent,

A walk of indecisive hopes

That fall and flutter, telescopes

Can pick out figures where time went.

 

One moment I have heart to dream,

Then crush it, sentencing my step

To be man’s mark on barren steppe,

And lose my sight of what I seem.

 

The promise of another task,

The light of distant island shore,

A flock of child-like bird adore

And ask the questions children ask;

 

Why does the sea lap up the rock?

The shapes the cliffs make, do they change?

If I walk west, where will I range,

And when return?  Who times the clock?

 

The desperate, half-mocked chance to care –

I didn’t really let the card

Imprinted with a kiss regard

My face’s puzzlement – just there –

 

I stood it on a shelf as if

I understood its sending, sent,

I understood all that she meant

Because I’ve fathomed motive’s glyph.

 

All characters are now to me

Like people populaced in books,

Their eyes give wary or vacant looks,

They seek to conquer, or to be free.

 

Reducing all my colleagues, friends,

And new acquaintances to parts

I vastly undervalue hearts

And so my hope in people ends.

 

Up jumps a hope, and then it drops,

And day by day or eve by eve

I wipe my tears on my sleeve

And harvest sadness with these crops.

 

I know too much, yes that I know

And would be glad, surrendering

The rush of teaching’s rendering

Of people, for the chance to go

 

And live for nothing else but this,

Grass and sand and seagulls’ cries,

Peatsmoke stinging bleary eyes,

Words that heal with their kiss.

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A View of Trees

The curtains and the curtain poles are down,

The grips that held them plaster over, pale

But just discernible.  Another leave

Now taken from a room and sight I need –

The branches, budding, of the roadside trees.

I’m realising this is my default –

To choose a room, then place the bed to look

Direct into the branches of a tree.

First ash, in my childhood home, then holly

In an arch, then sycamore, now common lime

And weeping horse-chestnut, struggling to leaf.

And it is not coincidence – my taste?

That next I’ve found a place that looks onto

A stately park with planes that wobble up,

Those hesitant trees that ponder problems

Then peer down to find they’ve out-grown their place!

So tall – they can’t be native!  Oddly-hued

By a passing decorator using up

His tins of remaindered household colours.

From Spain, half-bred Greek and American,

His disparate parents lend him several strengths,

But he hasn’t yet won my heart.  Ah, let

The morning tell him to me as I rise

And every day see buds a-breaking out,

Little moleskin fruits achieve their sphere.

Still remain a novelty – I know you’ll

Begin where someone sets you, wary tree,

Too quickly noticed growing in a waste

All spindly-shooting with those palmy spreads.

I’m growing generous in spending love

Now all my natural children are bound close

And coppiced into useful poles, ideas

And metaphors that show me how we are,

So now come time to welcome even planes –

A tree I had no feelings for before.

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Lines on Highbury Field

The pace of circling runners has now stopped,

Their anticlockwise ringing of the hill

Completed for another Saturday.

Instead the calls of coaches to their boys,

By name, by numbers printed bright

On neon jackets, home strips, away strips

And the thud of leather on leather, the thud

Of childish pleasure in the swinging foot,

The leaping leg, the spring, the catch, the cry,

And sliding tackles scuff the turf with scars,

The boyish shallow trenches of the wars

They live to fight.  For disappointment lasts

But fragments of a minute, not so long

To sour a day as it can do for men.

Instead, with every burst of rivalry,

Each charge up the touchline, each desperate chance,

The game stays living, changing, bright and sweet

Like May sun out from cloud and in again.

‘Come in now, please,’ he calls, the giant there,

A man and half a man to eight-year-olds,

The beauty of his giving as they shoot,

He crouches in the belly of the goal,

The little, four-foot goal, and bids them try

To pass him, knock it in the net and score,

And they begin to learn themselves and find

The pleasure of that leather-smacking thud,

The swinging foot, the leaping leg, the spring,

His catch and cry the affirmation of

Each boy’s good value, his name, his number.

Sometimes spoken – ‘Diego!’  Ringing out loud,

The passers-by and balconeers all share

The pleasure of a boy’s attempt on goal.

Sometimes unspoken – just that look or pat

As Mitchell sidesteps, taps it in the net,

Arry nutmegs coach and all the eight-year-olds

Cheer both.  The older group have finished now

And moved to dribbling, easing bright blue globes

Against the gentle slope of the park’s lie

Upon the hill, up to the cones, then down,

Stretching slightly to keep up with them.

Beyond, a trainer spars and kickboxes

With today’s customer, who wants to learn

For stage, or screen, or just simple fun

Of throwing punches in the morning air.

This richness, more than leisure, more than just

An occupation for the weekend hours,

How we enjoy it, but to tell the truth

It’s undervalued.  God gives peace to men

And all these boys not marching, trained to die,

Assume this is normality.  Not so,

In history, how rare this chance to play.

And I can see it as a prophecy

Of dwelling in the Kingdom without end.

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The Painter’s Eye

It’s late December – day-long dusks and clouds

And lovely open structures of the dying trees,

And railside wastelands earn another grey,

The brambles purple, old-man’s beard delights

With feather baubles long uneven swathes

Of drear embankment.  All the puddles full,

All the ditches dark, reflective, cold,

The lives of poplars stark, the pointed pales

Of fences cold as printed tractor marks

Now filled with scraps of sky and dainty crows.

We pass a field of horses, straw strewn out,

And dirty stable-coats upon their backs.

What entertainment can December bring

A horse?  What festive cheer a hungry bird –

Related in a theoretic way

To robins on a watercolour card.

But can I say it?  These are all my paint –

The pigments that I choose when I return

To dreams, to hopes, to quiet peaceful dreams.

The subtlety of every tree which owns

A unique pattern, never copied twice,

The varied textures of the water’s flat –

Despite the stillness of the air, the grey –

By reading printed painted books, a child,

By walking on the paths of lonely tracks,

I’ve won a little of the painter’s eye,

And with it surety of English truths.

So – I want you now to now my purposing –

The motivation I cannot express

As policy, or aim, or goal.  I guess –

I love to try, to leap, to run the course –

Another soul desires to comprehend –

I only want to know.

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The Birds and the Boats

The ship is launched upon the lake,

Its sails set, now out of reach,

I ask, will it touch the beach,

Or twist, tumble, capsize and break?

 

The pond for model boats is dry,

The leaves of hurried sycamores

Clog the drains and dirty the floor.

This is no season to trust the sky.

 

No boys, no girls, no granddad’s knees,

No uncles, ice-creams, Labradors,

Just lonely dreamers seeking cause

To still believe their fantasies.

 

Somewhere between this keyboard and

A desk eight thousand miles away

Someone might be moved to say

‘I know his hopes, I understand.’

 

Then shall I have a call to trace?

If I’m appointed, will I be

Enthusiastic, wonderingly

In awe of purpose, torn through space?

 

The balsawood and cotton ships

That people loose in summertime

Are sent off, voiceless, bare, to mime

The exploration of long trips.

 

They bumped against the concrete rim,

A stranger sailing his own craft,

Gently lifted it out, laughed,

And walked, carried it back to him.

 

Perhaps he watched it, hunkered low,

Imagining himself shrunk small

Astride the deck’s slow rise and fall

Sailing where the sailors go.

 

But still in fact ashore – well still

A toy boat bears a beating heart.

I don’t know how to say this part,

But where mine’s gone, perhaps I will.

 

To hope seems too much certainty,

And simply to forget and do

The jobs today has found anew

Does not distract or settle me.

 

My heart is out upon the sea,

I sent it there, I bade it fly,

When back in distant evenings I

Would stand and watch the gulls wing free.

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These Things

These things still catch me in my throat:

Nail varnish, certain sea creatures,

The tickets my desk still features

For films seen last year, my green coat.

 

For several minutes I can live

Just answering the moment’s call

And fill my head with duty, all

The tasks my choice to teach can give

 

But sooner, later, never long

A moment’s hush descends and dwells –

A hush that echoes thought, which tells

Of who I was, what songs we sung.

 

It seemed much better to become

Another soul in the same flesh

And leave the previous self to mesh

And then dissolve – to turn quite numb.

 

And yes, it’s numb, where it did burn,

Just like the numbness of a knock,

The numbness of loss, hurt and shock

That disappears when you turn.

 

So simply look another way –

A busy life is quick to find

And teaching, writing, fills a mind

And worry quickly fills a day.

 

Because a tidy room, a space,

A sunny morning, open page,

Will catch my throat and then engage

A memory to inhabit space.

 

She rests, or toys, or fixes things

And fills the room with noise and play

And crams life into the whole day

And hears the words the singer sings.

 

She’s heard most of my words before

And tested, tasted, all their sense

And I can’t read them blankly, hence

Would rather not read any more.