Incoming Tide

Every pattern that’s made by the water

Where tides sculpt the ripples of low-slung sand levels

Is hidden, invisible, but for its traces,

The skeleton ridges and quartz-dancing revels.

 

Across the cold strand the sea is like silver,

Its lobes licking tenderly flattened out swells.

The sand barely rises, except when the water

Displays a true level and every tongue tells.

 

But even those waters are ebbing and rushing

And never the beach or the sea’s edge is smooth,

But climbing, high-rising, then falling, revealing,

It softens the crystals like lullabies soothe.

Chalk at Broadstairs

When the tide, slow retreating from the beach north of Broadstairs,

Reveals all the liminal acres of shore,

A field of nobbly pinnacles rises

Slathered with purple, green-fingered, white-raw.

The chalk will feel greasy to fingertip gripping,

The seaweed is slippy beneath treading feet,

Yet the softest of stones is defeating the ocean

Absorbing the thunder where seas swell and meet.

The  cliffs, yes they tumble, they fall and they shout,

Collapse in the surf of the tide’s furthest rush,

But ten days in twelve the water drains backward

And the roar of the ocean will turn into hush.

The power of water is soon dissipated,

Rollers and breakers split into rills

And the cliffs, slowly crumbling, must face the ocean

But twice a day water retreats and then stills.

Canning Town

How beautiful the river banks,

Each a slick and shining brown.

The tide now slackens out through town

Past railway sidings, standing tanks.

 

Here reeds are stained and standing thick,

The ducks and gulls squat on the mud

And later comes the brackish flood

But now the silt is dark and slick,

 

Here interrupted by a pile

Half-rotted, stained with grey and green,

There lies a tire, half-sunk, half-seen,

And so on down the winding mile.

 

All the way, from here to the sea,

The Thames retreats from its own bed,

Its mind is changed, intentions fled,

So changeful as the moon we flee.