The plan had come to me the same moment I had seen her. It was quite simple. First I had to get everybody in the place raving about it, publically. Then I had to melt all the ice-cream in the building.
Zahra Fukasawa was in fact exactly the sort of person the management would have hoped to attract to Eis. She was here spontaneously, I was sure, because the restaurant would have been unable to remain silent about such a scoop. It also fitted what I knew about her.
She was a soundscaper. A half-Iranian, half-Japanese citizen of the world who had found some celebrity a year or so previously, her art a form of dance and musical composition that turned ambient noise into rhythmic, melodic expression. It got recorded, but the thing died in captivity as surely as orcas used to do. No, to experience it, you had to be there live, or ride someone who was there.
That’s why I had known I could create a real spike. Any other celebrity of her class would have been a success for Eis, but for me, Zahra Fukasawa was the opportunity we had been looking for.
First, of course, the waiting staff identified her. Her aura was relatively discreet – not anonymous by any means, but from where I sat she had a lot less flashing around her than, say, Niki Booker-Cosens, Thought-Patterner, hiremeforyourcognitivechange, discretiondevelopmentdirection over there in the booth by the street. But there was a collective shifting in their seats from the customers and a waiter hurried out with another table and set it near the other end of the bar, one chair for her while her minder stood.
I don’t normally open my vis to the public channels for long, but tonight I needed to know what everyone was thinking. Looking around I could see updates and pops, messages and updates and status reports being published all around the room. Zahra Fukusawa here in Islington gosh you wont believe this shes here!!! @Eis with @ZahraF This place @eis just got cooler… and so on.
I was on my twenty-eighth ice-cream. Just over halfway. This one was rare Welsh lamb, served with candyfloss, a very pleasant pink and pink with a single mint leaf. In less than the time it took me to eat the single spoonful, I had created a guest account through a dummy identity on the most popular Zahra fancom, and posted that she’d been spotted in Eis and had promised to give a performance.
By the pine-corn-old coin sorbet that followed, my message was being referenced all round the room and much further abroad as well. I shot a line to Max, typing by habit into a keyboard only I could see overlaid on the bar. Get me a Zahracrowd. Fanstorm.
In the meantime, they had sat her down and welcomed her and the big minder had already turned a couple of print-hunters away. She needed to perform, not simply sit and guzzle cold dairy products.
To my left was a woman whose aura said she was thirty-one, Viki Crane, much more besides. She looked bemused by the stirrings. But she had an air about her… The air of someone who always knows more than you. I swung my stool towards her.
“I’ve got no idea either,” I said. “Some sort of celebrity, I think.”
Her eyes twitched. “Zahra Fukasawa,” she said. “The soundscaper? You must have heard of her. She won the Lit Medal last year?” The slight hesitations told me that she was reading her facts off something virtual.
“Oh, I see,” I replied. “A musician. Funny, I thought she was someone important.”
“Deeply important,” replied Miss Crane, with a shake of the head. “She’s redefining music.”
“Music’s all the same to me,” I said with a shrug.
Her need to be right was far more powerful than her sense of bashfulness. “Oh, no. If she performs tonight you’ll know that you’ve heard something special. She can turn your own heartbeat into something wonderful.”
While I was winding this woman up I was tracking Max’s progress. Already the queue outside had doubled in length and chatter on the fan sites was peaking. The problem was that at the moment, there was no way she would give a free, impromptu performance here. It would be squandering her considerable social pull for the sake of a place she had simply popped into hoping to get a little sweet supper.
So I needed to pretend to be someone else again.
I faked up a message from an address that could be Eis’s management and sent it straight to Zahra’s sponsor, flattering her grossly, describing the wonderful serendipity of the evening, such pleasure in having her come and grace the new endeavour, proposing an alliance of convenience for a limited time. In return for an ‘impromptu’ performance in house tonight, we, the management of Eis, would arrange for twentieth grade contracts for a year with SBS, our parent consort, for Miss Fukagawa, her sponsor and thirteen other nominees.
By the second spoon of the spicy marron glace ice, I had seen Zahra whisper to the manager and then stand while her table was tidied away again. She had barely had the time to take a single lick of a beautiful vanilla cone that they had brought her.
“Dear diners,” began the manager, an anonymous, large woman dressed in black and possessing a particularly fat pair of lips, “We are honoured by the presence of Miss Zahra Fukasawa, who will now perform a spontaneous soundscape. Please ensure your aural implants and augmentations are channelled to our house band.”
The room, already virtually abuzz, now really began to bubble. People were telling their relatives, making distant friends jealous, publicising eyeshots, uprating the restaurant, surfing on a virtual wave of hype even while they sat in the semi-dark on their leather bankettes. I turned to the Viki lady. “So this must be a real spontaneous thing, for her.”
“Oh, I’m sure not,” she replied breezily. “Probably a well-prepared scheme.”
“I didn’t read about it with the opening,” I said.
She frowned a moment, then thought her way to the high ground again. “Maybe it wasn’t available on your level of access.” I really had to work hard to keep my grin to myself.
“Well, this is going to be the partnership the manager mentioned at the door, then,” I returned. There was no way this woman was going to admit she had heard nothing of the sort, but a startled look in her eyes told me she had taken the bait.
In a few moments I had my next ice-cream and Zahra had finished her preparations. Diners were mentioning a partnership, maybe even a sponsorship between the restaurant where they were eating right this moment and Zahra Fukagawa herself, even as they watched with open-mouths, but my mind was elsewhere. I was researching thermostat codes.
The public lay was, as I mentioned, a seamlessly well-designed interface that allowed customers to interact with a menu, log preferences, link images, read histories and discussions and much more beside. Behind it, on a visual channel unobservable to eyes without a certain ram loaded, was the business lay, giving the waiting staff information on their customers, orders, spacial patterning, calorie consumptions and, crucially for an ice-cream restaurant, temperatures. With it I could see through the bar to the kitchen and even the stockroom. I could see the till in virtual blue above the centre of the room where Zahra was now wheeling her arms in some presumably intricate and musical fashion, see the unpaid and the booked.
But back to the kitchen. It was empty now. The three kitchen staff had come out to watch and listen to the show. The barstaff were also enraptured. There wasn’t even a kitchen porter around. I identified the access interface for the freezer, hacked it with a freely-available maintenance override ram I fed into it, and reversed the temperature flow, while leaving a trace that gave the impression of factory-sourced malfunction. Thankyou online community of freezer electricians and your well-organised maintenance archive.
I returned my attention to the room around me and even tuned in to the house band. There was a relationship between her movement in her headscarf and bootleg slacks and the complex, cross-rhythmed melodies I could hear. All around the room, conoisseurs were nodding and giving themselves little smiles of satisfaction. To me it sounded like repetitive cutlery-dropping – but then maybe that was in fact where she had sourced her basic sound palette.
People were leaning in through the open doors, then, before anyone in the rapt staff could do anything about it, trickling inside in quite an English way, not wanting to take up space they hadn’t paid for but unwilling to miss the opportunity of hearing and seeing and experiencing this music-changer at work. Her minder looked panicky for a moment until he realised they were going to follow his hand signals and keep a good distance. After all, they wouldn’t want to trespass on their own heroine’s creative space.
They kept pressing in, until my eyes counted more than a hundred standing there, as well as us. With the conditioning off – I had done that as well, of course – more factory faults – the temperature in the room slowly began to rise and the little spheres of perfect chemistry began to lose their integrity and sink into puddles of expensive custard. Not that anyone was paying attention.
I was on my forty-third when she finished. My desserts had kept coming simply because of the conveyor belt in front of me, but I was fairly confident that these would be the last frozen things leaving the kitchen that night. It was a homage to the old neapolitan, but using Brie, pink caviar and rye to mess with my expectations. Too rich, really. Or perhaps that was simply the temperature.
“Incredible,” breathed my new friend to my left. “Don’t you think?”
“Hard to believe,” I agreed. “Very hard to believe.”
Forty-four was anchovy, kalamansi and basil. Very finely balanced. I concentrated on it while I listened to the increasingly frustrated customers around the room.
I sent Max a single word.
“What do you mean, I can’t have another one? You can see this one melted while we watched your performer!”
“Wait how long?”
“How can an ice-cream restaurant not have any ice-cream?”
That was the one I had been waiting for.
Then I heard Zahra. “I thought I had been given twentieth grade,” she was saying sharply. “You think I just give my performances away?”
I got the clear from Max, then pushed myself off my stool and headed out to the street, typing on my thighs as I went, grinning like the shark leaving the empty lagoon. The review was out in eight minutes. Two minutes before Zahra Fukagawa’s sponsors filed a lawsuit against Eis and eighteen minutes before the value of SBS contracts plummeted to the lowest they had been that year.
Of course, our contract holdings were all in Cornucopia now.